Well, here I tried to confine this iteration to the representation of frame, and the organizing factors which create the modules of this composition. To try and represent the sectional qualities of the "compositional displacement". I first took away the linear strip that confined the two sides of the construct to unveil the space in between each of the surfaces, in hopes this would give the animation more depth, and stronger spacial qualities. Also by giving the composition a transparency, this hopefully would add to the factor of "time", because as the viewer visualizes one surface at the present point in time, he/she is able to look back and reflect at where the animation was at an early point and time. One could also argue the fact that the viewer is able to catch a glimpse of the future, being able to visualize in a transparent form, of whats to be framed later in the animation. Since this is a first iteration, I will further explore the past animations and develop them, hopefully adding to the re-presenting qualities of the construct, in terms expressed during classes, in readings, and on the blogs.
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That is interesting, having the animation focusing on the spaces between planes. You say you want to use transparency to give a sense of past and future? I think you should try to play that up a little more, because your forms don't seem to be transparent enough. I think the challenge for you will be in finding the "balance point" transparency, where one will be able to see ahead and behind, while not being so transparent that one loses the sense of being in a space.
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